[.ca] Deluxe Classics We Have Always Lived In The Castle (ISBN 0143039970)

From Amazon.com:
Visitors call seldom at Blackwood House. Taking tea at the scene of a multiple poisoning, with a suspected murderess as one's host, is a perilous business. For a start, the talk tends to turn to arsenic. "It happened in this very room, and we still have our dinner in here every night," explains Uncle Julian, continually rehearsing the details of the fatal family meal. "My sister made these this morning," says Merricat, politely proffering a plate of rum cakes, fresh from the poisoner's kitchen. We Have Always Lived in the Castle, Shirley Jackson's 1962 novel, is full of a macabre and sinister humor, and Merricat herself, its amiable narrator, is one of the great unhinged heroines of literature. "What place would be better for us than this?" she asks, of the neat, secluded realm she shares with her uncle and with her beloved older sister, Constance. "Who wants us, outside? The world is full of terrible people." Merricat has developed an idiosyncratic system of rules and protective magic, burying talismanic objects beneath the family estate, nailing them to trees, ritually revisiting them. She has made "a powerful taut web which never loosened, but held fast to guard us" against the distrust and hostility of neighboring villagers. Or so she believes. But at last the magic fails. A stranger arrives--cousin Charles, with his eye on the Blackwood fortune. He disturbs the sisters' careful habits, installing himself at the head of the family table, unearthing Merricat's treasures, talking privately to Constance about "normal lives" and "boy friends." Unable to drive him away by either polite or occult means, Merricat adopts more desperate methods. The result is crisis and tragedy, the revelation of a terrible secret, the convergence of the villagers upon the house, and a spectacular unleashing of collective spite. The sisters are propelled further into seclusion and solipsism, abandoning "time and the orderly pattern of our old days" in favor of an ever-narrowing circuit of ritual and shadow. They have themselves become talismans, to be alternately demonized and propitiated, darkly, with gifts. Jackson's novel emerges less as a study in eccentricity and more--like some of her other fictions--as a powerful critique of the anxious, ruthless processes involved in the maintenance of normality itself. "Poor strangers," says Merricat contentedly at last, studying trespassers from the darkness behind the barricaded Blackwood windows. "They have so much to be afraid of." --Sarah Waters

Still hangs together despite the years.:
When I was in Junior High--what they refer to as "Middle School" these days--we occasionally had book sales to raise funds for various projects like the Prom or the Class Trip. One of the books I selected in those long past days was Shirley Jackson's "We Have Always Lived in the Castle." I was very impressed by her style. I still am! In the intervening years since high school, I took narrative writing classes to complete one of my degrees, and I can honestly say from that experience that Ms Jackson writes exactly and very successfully as they tell you how to write in such classes. There is a novel introduction; I mean, who can fail to be captured by a paragraph that tells you the narrator should have been a "werewolf" and ends succinctly with the statement that "Everyone else in my family is dead (p. 1)." The author builds mood and character by the use of carefully chosen words that project atmosphere, as when speaking of the village, she says, "The houses and the stores seemed to have been set up in contemptuous haste to provide shelter for the drab and the unpleasant (p. 9)." Already we sense there's something not quite right. Like Shakespeare's much touted Falstaff, however, the character of Uncle Julian adds a touch of levity that gives the tragedy of the story more impact. There is a good deal of detail, but despite this the story isn't just wordy or inflated to fill the requisit 200 pages. The detail makes the town and its residents and the two women in the "castle" much more real, and pull the reader into their story more fully than a more economical treatment would have done. A thorough delight. Miss Jackson's work still hangs together despite the years. For THOSE WRITING PAPERS: in narrative writing or English composition. Examine the book for key words that give each character their personality. What does the author tell you without actually telling it to you outright. Were you surprised by the revelations in the book? Were you surprised by the outcome? Compare writers like Edgar Allen Poe, Steven King or Peter Staub with Ms Jackson. How are they similar? How are they different? How is Ms Jackson's work "dated?" How is it timeless?

Read this on Halloween:
This is a book that will keep you hooked until the last page, and stay with you long after. I found it in the store at about five on Halloween afternoon, and when I next looked up it was seven and I was finished. This is brilliant, vintage Shirley Jackson, and probably crazier than 'The Haunting of Hill House' and 'The Lottery' combined. Teenaged Merricat Blackwood lives with her sister Constance on their family estate, in near total isolation from the hostile small-town community outside. Since the mysterious poisoning that resulted in the death of the rest of their family six years earlier, the sisters take care of their crippled Uncle Julian, the sole survivor, and enjoy their solitude. When a long-lost cousin Charles comes to them one day, Merricat senses that there is something sinister about him, and begins to desperately try to get him to leave. First off, don't think that Merricat is your typical starry-eyed, whimsical teenage narrator. Unlike other young heroines, she's got a very dark streak. She's an introvert who has a penchant for burying things in the woods and imagines the villagers dying twisted, horrible deaths. Granted, they deserve her hostility, but like Eleanor in 'Haunting', you realize it's possible that the problems in the book exist solely in Merricat's mind. She's fantastically complex, one moment dreaming about living on the moon with flying horses, the next wishing that everyone would just die. This is a teenage narrator for 'Daria' fans. Given that Jackson was living in isolation from her own hostile villagers when she wrote this book, it's easy to see Merricat as an extension of the author. Also, considering that Jackson was probably crazy at this point, the book feels very refreshing. The author didn't want to write a good, balanced story that would keep everyone happy. She gave us a one-way ticket into her mind, where some things were just twisted and warped, sorry to say. The sense of gothic claustrophobia works wonderfully well, and Merricat and Constance are absolutely fascinating. Jackson won't tell you what to think. You have to make up your own mind about these two. A perfect book for Halloween night.

Easily digested at one sitting:
I read this book in one sitting, silently turning page after page, totally caught up in the story. The story is written in very simple format, unravelling like a favorite and somewhat familiar mystery, and though largely predictable, the slim tome sticks to your hands by some supernatural force, and doesn't release you until the last page is turned and the last word read. Mary Katherine Blackwood, known as Merricat, the main character, lives with her reclusive sister Constance and their Uncle Julian, the surviving members of a large family that came to a sad end through the consumption of arsenic laced sugar. The intriguing Merricat tells the story, regaling the reader with her rituals, talismans and magic, but these alone are not enough to counteract the interloper, who threatens her familiar lifestyle, and tries to destroy the strong family unit. The conclusion was not quite was I was expecting, being of macabre humor and vivid imagination, but was fitting and satisfying. A haunting but not chilling read.

A chilly, gothic classic from the author of "Hill House":
The other major novel from Shirley Jackson. It doesn't have the devastating impact of _The Haunting of Hill House_, but that is like saying getting hit by a speeding van is less devastating than being run over by a eighteen-wheeler. This is an aching, tragic novel of psychotic decline and clinging human dependence. Narrator Merricat is an amazing character, both repulsive and sympathetic as she tries to protect her sister and their life together from the villagers and the encroachments of cousin Charles. As in _Hill House_, the protagonist is obsessed with location and a need to belong, and it drives her ultimately to insane actions. Like Eleanor Lance, the main character in _The Haunting of Hill House_, Merricat continually removes herself from the rest of humanity. Although the novel contains nothing overtly supernatural, it is filled with "living ghost" and haunts the reader the same way real ghosts would. Shirley Jackson was a stunning talent, and she dares you to forget he dark, stirring, psychological worlds she builds. Read _We Have Always Lives in the Castle_ for a trip into character you will never forget. (And if you haven't done so yet, read _The Haunting of Hill House_.)

A Good Book:
The book, We Have Always Lived in the Castle, by Shirley Jackson is an excellent but disturbed mystery with a little dark humor. In 214 pages, this book makes the reader realize how lucky they are that they have a loving and caring family. Nobody, not even Merricats family loved her, well that is when they were alive. One night while the Blackwood was having their usual tea after dinner, they were all mysteriously poisoned with the sugar they put in their tea. The person who did it must have known the Blackwoods pretty well, because they all loved sugar and always put it in their tea. Constance 28, Mary Katherine (Merricat) 18, and their great uncle Julian were the only survivor. They now struggle to keep their small family together. Merricat is off in her own world. She hates people and everything else in the world. Constance has never step beyond the gates of their property and Julian is very ill and handicapped. When their long lost cousin or so he says, Charles steps into their lives, everything turns ugly. Merricat does not trust him and is very suspicious of him. Put your feet in her shoes: As it is your life is tough, everyone in the world hates you, and you are locked up in an old castle for your whole life. Then this stranger, who says he is your long lost cousin and wants to be part of your family now. Then starts putting awkward thoughts into your sisters head, like "normal life" and "boyfriends". Your sister is your only hope for your life to continue and this Charles guy is trying to change everything. I would be a little nervous and suspicious around him. That's all I am going to tell you about the book. Now you need to go out and get the book, and read it. I think you will really enjoy it. I know I did. I would recommend this book to girls and boys of the ages 13 to 19, because those are usually your teenage years. Teenagers could definitely relate to this book because the main character is 18 years old. Some teens have family and friend problems and insecurities with themselves just like Mary Katherine, the main character in the book. I would rate this book four stars out of five stars, because this book was a wonderful mystery for teens, although the beginning was a little confusing and weird at times.