Heroes

Pure Genius:
Immerse yourself in the incredible genius of Mark O'Connor and his amazing chameleon-like creative ability to tease so many different moods and styles from his violin. If you like Cajun music - this is for you. If you like Western Swing - this is for you. If you like foot tapping fiddle with a Celtic slant - then this is for you! Classical? Jazz? Blues? Country Rock? Then yeah - you guessed it - this is for you! This is an absolutely fantastic album - a brilliant collection of melodies that bring together some of today's greatest violinists. Pure Genius.

Virtuosity without cohesivity:
There's a problem with the theme of this album. Mark O'Connor plays with his hero's on their material, often their signature pieces, and his heros are varied. When the album takes off with the very hot "New Country", you'd almost imagine you'd put on Jean-Luc Ponty instead of Mark O'Connor. Which immediately got me wanting to hear the rest of Ponty's "Imaginary Voyage". Instead you get "The Devil Came Back to Georgia" with Charlie Daniels and vocal by Johnny Cash! Talk about bad segue! The album has an uncoordinated feel, like a bad college FM station. If you like playing cuts off CD's, this one works. But to put on and listen through, you'll have to concentrate on how much you like great fiddling rather than relax to a great album.

The Devil meets Mark O'Connor:
Mark O'Connor is one of the greatest musicians to have ever applied rosin to bow. That he is an American should be a source of some pride to any American, and that he is a string musician makes him a living legend to those who like the sound of good fiddlin'. Like many other great violinists/fiddlers he crosses musical boundaries in a way that breathes life into genres that aren't normally "connected". I'm thinking of an occassion seeing Itzhak Perlman playing "Turkey in the Straw" at breakneck pace. Mark O'Connor certainly has the technique to be a virtuoso violin soloist on any piece with any concerto ever written, but his background as a young man growing up idolizing traditional American fiddlers gives his unique genious a background to paint upon a wide canvas with an infinite variety of musical colors. Mark's gift impresses other musical greats. For musicians there is some interpretation involved between the musical conception and performance - the player must either read the music or think it (for improvisational styles), then they must play it. For Mark O'Connor that interface between "think the music/play the music" is seamless. The most glorious and wondrous music pours out of his instrument. Mark's mother exposed him to music at an early age and his prodigious talent enabled him as a teenager to rub shoulders with violin giants - and to win Grand Masters Fiddle Championships beginning at age 12. (Not coincidentally, he won the National Guitar Flatpicking Championship for the first time a few years later.) He grew up listening to the Cajun stylings of Doug Kershaw, the Western Swing of Johnny Gimble, the Bluesy Bluegrass of Vassar Clements, the Country Sawing of Charlie Daniels, the elegant jazz phrasing of Stephane Grappelli and Jean-Luc Ponty. He became steeped in the music and lore of the fiddle/violin giants, and he practiced. And practiced. And practiced. Now Mark is an icon, undisputed King of the Fiddlin' Giants. This is the album he recorded to honor his role models and mentors and anyone who complains about the multitude of styles on this recording misses the point - Mark is all about multitudes of styles. His music is about finding what makes those musical styles similar rather than adhering to arbitrarily imposed boundaries. Best of all, he absorbs the styles of the masters in a way that makes you think, listening to this wonderful collection of collaborations, that there must be TWO Johnny Gimbles or Buddy Spichers or Jean-Luc Pontys. Mark includes an older recording - a joyful, mind-blowing rendition of the Texas style "Sally Johnson" with the legendary Benny Thomasson, Texas Shorty and Terry Morris - each of the 4 fiddlers plays an artistic, acrobatic rendition, but Mark comes in and plays the final solo that is noticeably more smooth and intricate, at an age when he was too young for a learner's permit. He duets with Vassar on "House of the Rising Sun", with dobro-master Jerry Douglas on board to wail the blues right out of that bordello. He joins Byron Berline with the rest of "California" and the legendary Bill Monroe to reprise "Gold Rush". "The Devil Went Down to Georgia" has long been a crowd pleaser since Charlie Daniels first unleashed it on the world 25 years ago. The musical folktale of the boy fiddler, Johnny, and his encounter with the Devil is a satisfying one because our hero, Johnny, whips the Devil in a fiddling contest, saving his soul and gaining a golden fiddle. Mark approached Charlie Daniels about doing a "sequel" and Charlie agreed, stipulating only that the Devil must lose again. Johnny Cash, the man in black himself, performs the "narration" of the sequel while Marty Stuart and Travis Tritt perform the parts of Johnny and The Devil, and when Mark plays the final fiddle showdown it's as if Paganini has risen from the grave to steal his soul from the Devil one more time. If you're a betting man or woman, and you have a choice in a fiddle contest between Charlie Daniels, The Devil, and Mark O'Connor - put all your money on Mark O'Connor. There are too many highlights to note them all - find out for yourself.

Monotonous fiddling around:
I like Mark OConnor and I like fiddles but, as with that irish jig dancing, a little bit goes a long way for me. He has a few good cuts on this album but I rarely leave it on to play all the way through. It gets boring for me. Diddle dee dee, diddle dee dee, diddle diddle diddle and on and on and on ....

I love Marks Music!:
This is one of Mark's greatet works! He is absolutly amazing! I love just sitting back and listening to his music, and I am amazed by him everytime. Getting to work with him makes you appreciate him and his music even more. He is a truely wonderful musician and person. His music makes me so happy!